Maile Colbert

Membro

Núcleo de Arte e Intermedia

Biografia

Maile Colbert is an intermedia artist with a concentration on sound and video, relocated from Los Angeles and living and working between New York and Lisbon, Portugal, and teaching at Faculdade de Belas Artes da Universidade do Porto. She spent the last three years collaborating with the art organization Binaural (http://www.binauralmedia.org/), is currently director of Cross the Pond, an organization based on arts and cultural exchange between the U.S. and Portugal, and is an ongoing contributor of articles on Acoustic Ecology and Sound Studies at “Sounding Out”, the award winning sound studies journal (http://soundstudiesblog.com/). She holds a BFA in The Studio for Interrelated Media from Massachusetts College of Art, and a MFA in Integrated Media/Film and Video from the California Institute of the Arts. She has had multiple screenings, exhibits, and shows, including The New York Film Festival, The Ear to Earth Festival for Electronic Music Foundation in NY, LACE Gallery in Los Angeles, MOMA New York, Los Angeles County Museum of Art, Serralves em Festa in Porto, the REDCAT Theater in Los Angeles, The Portland International Documentary and Experimental Film Festival, Sons d’Hiver Festival in Paris, the Future Places Festival in Oporto, HOERENSEHEN 2.0 in Berlin, Activating the Medium Festival in San Frncisco, The Exchange in Cornwall, UK, the Störung Festival in Barcelona, the Teatra Municipal in Guarda, the Observitori Festival in Valencia, and has performed and screened widely in Japan, Europe, Mexico, and the States. She was a part of a featured installation at the 2009 UN Climate Conference, and recently had an audio-visual installation premiere as one of the selected feature artworks at an exhibit in Guimarães, Potrugal for the 2012 European Capital of Culture. She was a visiting lecturer teaching Sound Design at UCSD, and guest artist and lecturer at NYU, Escola Superior de Teatro e Cinema, MassArt, Calarts, SUNY Buffalo, SUNY Binghamton, Muhlenburg College, and Universidade Nova de Lisboa. She has designed sound and composed for such works as Rebecca Baron's film How Little We Know of Our Neighbors, winner of the Black Maria Film Festival Best Film, designed sound for Adele Horne's feature documentary The Tailenders, broadcasted on PBS POV and winner of a 2007 Independent Spirit Award, Allan Sekula's epic The Lottery of the Sea, and designed sound for Betti-Sue Hertz's multi-media mutli- channel installation at the Centro Cultural Tijuana for the 2005 inSite Festival. She has just finished two new albums, "Come Kingdom Come", an experimental opera on millennialism and apocalyptic thought and theory, to be released 2012 on Two Acorns (US/JP) and performed at the 2012 Activating the Medium Festival in San Francisco and the 2013 Sintoma Festival in Porto; and “For”, an album of dedication, released Winter 2011 on Intransitive Recordings (US). She is currently in production on an epic Interdisciplinary and Intermedia performance of a fictionalized and personalized Portuguese Maritime history grasping towards the definition of "home"; Passagiera em Casa/The Passenger at Home, co-produced by Binaural and Cross the Pond, funded by the Ministry of Culture of Portugal, and in affiliation with Universidade Nova de Lisboa, Faculdade de Ciências e Tecnologia, that will run 2012-2014 in Portugal, New York, Japan, Australia, and Brasil

Título Académico

Associação I2ADS

Membro

Núcleo I2ADS

Núcleo de Arte e Intermedia

Interesses de Investigação

Intermedia
Interdisciplinary
Interconnectivity
Sound Art and Studies
Film and Video
Soundscape Ecology

Atividade Principal

Intermedia Artist and Educator

Outras Atividades

Soundscape Ecology and Sound Studeis

Afiliação Institucional

Binaural/Nodar, Cross the Pond, Sounding Out!

Links

Website a
Website b

Contactos

email a: mailecolbert@gmail.com
email b:

Sem Publicações

(English) Wayback Sound Machine: Sound Through Time, Space, and Place (excerpt)

Sounding Out! (in part) and the World Forum for Acoustic Ecology Soundscape Journal, first presented at the Musique et Écologies du Son/ Music and Ecologies of Sound: Theoretical and Practical Projects for the Listening of the World, Universitê Paris 8, May 2013, Sounding Out! (in part) and the World Forum for Acoustic Ecology Soundscape Journal, first presented at the Musique et Écologies du Son/ Music and Ecologies of Sound: Theoretical and Practical Projects for the Listening of the World, Universitê Paris 8, May 2013, 2013

Maile Colbert

(English) Radical Listening and the People’s Microphony: A Conversation with Elana Mann

Sounding Out!, Sounding Out!, Los Angeles, California, 2013

Maile Colbert

(English) Listening to Disaster: Our Relationship to Sound in Danger (excerpt)

Sounding Out!, July 18th, 2012, Sound Out!, 2012

Maile Colbert

Within a Grain of Sand: Our Sonic Environment and Some of Its Shapers (excerpt)

Sounding Out!, May 23, 2011, Sound Out!, 2011

Maile Colbert

Três Anos em Nodar

Três Anos em Nodar, 1, Edições Nodar, Portugal, 2011, pp. 214-219

Maile Colbert

Sem Projetos

Sem Teses

Sem Orientacões

Sem Prática Artística

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